The Sister From Below

The Sister emerges out of reverie, dream, a fleeting memory, a difficult emotion--she is the moment of inspiration--the muse. Naomi Ruth Lowinsky writes of nine manifestations in which the muse visits her, stirring up creative ferment, filling her with ghosts, mysteries, erotic teachings, the old religion--bringing forth her voice as a poet. Among these forms of the muse are the "Sister from Below," the inner poet who has spoken for the soul since language began. The muse also appears as the ghost of a grandmother Naomi never met, who died in the Shoah--a grandmother with 'unfinished business.' She visits in the form of Old Mother India, whose culture Naomi visited as a young woman. She cracks open her Western mind, flooding her with many gods and goddesses. She appears as Sappho, the great lyric poet of the ancient world, who engages her in a lovely midlife fantasy. She comes as "Die ur Naomi," an old woman from the biblical story for which Naomi was named, who insists on telling Her version of the Book of Ruth. And in the end, surprisingly, the muse appears in the form of a man, a long dead poet whom Naomi loved in her youth.

The Sister from Below is a personal story, yet universal, of giving up a creative calling because of life's obligations, and being called back to it in later life. This Fisher King Press publication describes the intricate patterns of a rich inner life; it is a traveler's memoir, with outer journeys to Italy, India and a Neolithic cave in Bulgaria, and inward journeys to biblical Canaan and Sappho's Greece; it is filled with mythic experience, a poet's story told. The Sister conveys the lived experience of the creative life, a life in which active imagination--the Jungian technique of engaging with inner figures--is an essential practice.

The Sister speaks to all those who want to cultivate an unlived promise, those on a spiritual path, those who are filled with the urgency of poems that have to be written, paintings that must be painted, journeys that yearn to be taken...

About the Author
Naomi Ruth Lowinsky is the author of The Motherline: Every Woman's Journey to Find Her Female Roots and numerous prose essays, many of which have been published in Psychological Perspectives and The Jung Journal. She has had poetry published in many literary magazines and anthologies, among them After Shocks: The Poetry of Recovery, Weber Studies, Rattle, Atlanta Review, Tiferet and Asheville Poetry Review. Her two poetry collections, red clay is talking (2000) and crimes of the dreamer (2005) were published by Scarlet Tanager Books. She has been nominated for a Pushcart Prize three times and is the recent recipient of the Obama Millennium Poetry awarded for "Madelyn Dunham, Passing On.” Naomi is a Jungian analyst in private practice, poetry and fiction editor of Psychological Perspectives, and a grandmother many times over.

Reviews
Naomi Lowinsky has given us a remarkable, fearless, and full autobiography. Speaking in poetic, psychologically sensitive, scholarly dialogues with her shape-shifting muse, she has created a new form . . . This is a beautiful book to treasure and spread among worthy friends."
—Sylvia Perera, Author of Descent to the Goddess and Celtic Queen Maeve and Addiction.

". . . Naomi Ruth Lowinsky offers us a superbly detailed investigation of the powerful, mythic forces of the world as they are revealed to the active creative self. Don't miss this enlightening and fascinating book."
—David St. John, Author of Study for the World's Body: New and Selected Poems and Prism.

"Naomi's poetry and prose is infused with the suffering and joys of humans everywhere. Insightful and deeply moving, she brings us the food and water of life."
—Joan Chodorow, Author of Dance Therapy and Depth Psychology, Editor of C.G. Jung on Active Imagination.

"A passionate love letter to those who yearn to be heard. A must read for every woman who longs to write poetry."
—Maureen Murdock, Author of The Heroine's Journey and Unreliable Truth: On Memoir and Memory.

"Naomi Ruth Lowinsky reinterprets mythic and historical reality in provocative versions of the stories of Eurydice, Helen, Ruth, Naomi, and Sappho. The voice of the Sister from Below argues, cajoles, prods, explains, and yes, loves her human counterpart, and becomes the inspiration for Lowinsky's stunning poetry in this highly original book."
—Betty de Shong Meador, Author of Inanna, Lady of Largest HeartPrincess, Priestess, Poet.